2025 Year In Review
It’s nice being a small label. We get to feel every page of the calendar fall while we’re working with our artists. So today we’re marking the end of a truly special 2025 by looking back at the the past twelve months for Samia, Sex Week, Jordana & dog eyes.
SAMIA
Hard to believe she crammed all of this into 365 days.
Things kicked off in January with the announcement of Bloodless, Sam’s third full-length. It’s easily her strongest work yet, filled with the trademark songcraft we’ve been blown away by since 2017, but enhanced by a newfound trust in her most daring instincts. “Craziest Person” cuts off right in the middle of the song (yes, your vinyl is fine). “Pants” has an entire second song attached to the end like a comedown coda. “Carousel” sneak attacks the listener with a rocket ship of guitars. The whole record is interconnected by hisses of radio static and interstitials and song fragments. The triumphal “North Poles,” perhaps her best song ever, wasn’t even a single! Come on…
Of course, she toured the hell out of this thing, a leg of sold out record store shows in the UK around release, two legs of her biggest shows ever in the US (we were able to see a few!), and another capper in the UK playing her biggest ever London headline at a sold-out KOKO.
Meanwhile,”Pool,” the first song from her 2020 debut record The Baby, went mega-viral. Millions of videos. Billions of views. SZA shared it on IG! Now “Pool” is a soundtrack for sad stuff on the internet forever and Samia can snarkily refer to herself as “How Long Girl” on our conference calls. As luck would have it, all this happened around the 5th birthday for the album, so a deluxe anniversary edition featuring NPR Tiny Desk performances was born.
Somehow all that wasn’t enough. Sam released the mesmerizing “Cinder Block” in September, a live album recorded at First Avenue in Minneapolis in November, and still found time to collaborate with Blondshell, & Annie Dirusso along the way.
2025 was incredible. 2026 is going to be even better.
JORDANA
Maybe the most prolific artist we’ve ever worked with? Lively Premonition hit at the end of last year. 2025 began with Jordana on the road supporting that record with her biggest headline shows ever – the amount of smiles in the crowd at Bowery Ballroom was life-affirming. Speaking of life affirming, she collaborated with a string quartet and concert pianist for the new video series INTERSECTION early in the year (RVA, represent!). Then she unveiled a gorgeous Audiotree session. All before emerging with an EP that founded her own nation-state on Jordanaland…
Recorded with longtime friends from the NY pop group MICHELLE (RIP), the EP found Jordana leaving behind the hazy Laurel Canyon via Yacht Rock vibes of the last full-length for some pure, unadulterated pop music. Instantly memorable chorus after instantly earwormed hook all over this thing – “Still Do,” “Like That,” “Blouse.”
Meanwhile she collabed with Kelcey Ayer (who’ll also join her on the Jordanaland tour next year), Bob Junior & almost monday. And that last song went Top 10 at Alternative rock radio. What?
Then to end the year, her 2021 single with TV Girl, “Better In The Dark” inspired hundreds of thousands of uploads on Instagram, YouTube Shorts & TikTok and landed itself on the viral charts.
The Jordanaland tour kicks off in March. And something tells us she won’t be out of the studio for long…
SEX WEEK
Bursting onto the New York art rock scene with their self-titled 2024 EP, Sex Week was born fully formed. They did it all – wrote & recorded themselves, handled their own artwork, shot their own videos (alternating between trippy Lynchian/Cronenberg fever dreams and endearing reality TV spoofs). They are a band with a complete vision and confidence way beyond their years.
Upper Mezzanine was this year’s follow-up and it spread the duo’s creative wings even further – from the country-twinged “Moneyman” to the mutant-dance of “Coach” to the eerie pitch-black experimentation of “Lone Wolf.” It did everything the debut did – but more and better.
2025 found the band crisscrossing the states on their first real tour with Chloe Moriondo. Then it found them leaving the states for their first international tour, with shows in the UK and stops at festivals like Green Man & Manchester Psych. Anyone who saw them knew the score.
This is one of the most exciting young bands making music right now. And we’ve heard the demos for what comes next. So you’re going to want to stay tuned.
DOG EYES
The only band we’ve ever signed form a cold email!
dog eyes have a knack for writing fragile & heartfelt folk songs that tap into a nostalgia for a life we never even lived. In 2024 we dropped holy friend, the SF duo’s sophomore full-length (available on cassette alongside their debut album in our Bandcamp).
This year they returned with blue bird rain cloud, a far more concise thought. Where the full-length felt universal in its emotional breadth, on the EP, they zoomed into tiny moments and unpacked the details. Like on “nano” (a song about an iPod) or the half-title track “bluebird,” which washes over you like a warm, still moment in the sun. These are songs for daydreamers. People who appreciate a quiet moment.
We’ll be taking a few quiet moments with blue bird as the year comes to a close.
ELSEWHERE
Outside of our current releases, the Grand Jury extended universe was very busy this year too. Twin Peaks announced a reunion for christ’s sake! Hippo Campus dropped LP4, a beautiful love letter to growing up, recorded with Brad Cook & Caleb Wright (Baby Boys alert!). Elliot Moss celebrated the 10th anniversary of Highspeeds (a record we released with him in 2015) with an expanded edition. Arcy Drive took us all straight to the Pit on their debut (pssst: watch this space for news on a potential first vinyl pressing of Beach Plum some time next year). AI assholes impersonated several of our bands – no, that Seoul song was not real or new, as much as we’d like to say there was or is a new Seoul song. Native Sun dropped their blistering first full-length. TOLEDO put out new EP & played a show with goddamn Grizzly Bear. And that’s just the tip of the iceberg.
Before we go, we’d also love to share our annual 25 for ’25 Year End Playlist, highlighting songs from our own releases, and some of our personal favorites from this year – sure, there’s a Geese song there, but there’s also some hidden gems from folks like Prewn, Fust, Nat Lefkoff & more.

Yeah, it’s nice being a small label. And it’s really nice to watch all of the incredibly talented people we’re lucky to work with do incredible things.
See you in 2026 for even more incredible things…







